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HDV 1080i
The HDV 1080i specification features 1080 effective interlaced scanning lines and 1,440 horizontal pixels. Interlaced pictures, which have been common to TV broadcasts from the beginning, alternately display odd and even numbered lines between each screen refresh. The HVR-A1U can also record at the HDV 720p specification, which features 720 effective progressive scanning lines and 1,280 horizontal pixels. Progressive scanning fills both odd and even numbered lines with each refresh, providing a flicker-free picture.

Not yet ready for HD? The HVR-A1U can convert material from 1080i down to 480i and output this digital video signal through its i.LINK interface or as analog signals through component, composite, or S-video connectors. When down-converting these signals, the aspect ratio displayed can be converted from 16:9 to 4:3, and display modes can be selected from squeeze, letterbox or edge crop.

1/3-inch Type, 2.97-megapixel CMOS sensor
The HVR-A1U incorporates one 1/3-inch type primary color CMOS (Complementary Metal Oxide Semiconductor) 2.97-megapixel sensor with a formatted for a 4:3 aspect ratio. The advantage of a CMOS sensor over CCD is it's ability to process a large volume of picture data at a very small size, which makes it possible for a camera this size to capture HD video. The trade off for this kind of chip over CCD, however, is a small loss in picture uniformity and dynamic range.

Keep an eye on audio levels on the LCD monitor

Audio
The HVR-A1U adopts the MPEG-2 compression format, which uses 8-bit digital component recording with a sampling rate of 4:2:0. The camera uses MPEG-1 Audio Layer II audio compression format, allowing for two-channel recording with a sampling frequency of 48 kHz/16-bit. It features a built-in stereo microphone, as well as two XLR audio input connectors for use with professional-grade microphones or external audio sources. Each input level for CH1 and CH2 can be independently adjusted using two audio level dials on the camera body and viewed with an audio level meter on the LCD monitor.

Carl Zeiss Vario-Sonnar T* 10x optical zoom lens
The HVR-A1U is equipped with a Carl Zeiss Vario-Sonnar T* high definition lens with a 10x zoom function. It has the same optical coating as is used on all of the Carl Zeiss prime lenses, which produces sharp, high-contrast images with virtually no chromatic aberration.

In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom lever has been added to the camera body. There's also a zoom/focus ring located on the lens body that allows for fine adjustments in zoom position. Furthermore, the supplied wireless Remote Commander unit can be used for external control.

Large, 16:9 widescreen color viewfinder and LCD monitor
View your subject through the built-in viewfinder, the swing-out LCD display, or both. The HVR-A1U features a 0.44-inch type color LCD viewfinder and a 2.7-inch color LCD monitor, both in a 16:9 aspect ratio. You'll save battery time by using just one, but you may want to use one for adjusting focus and the other for monitoring audio levels. When eschewing auto focus for the fine-tuning manual focus, you can double the magnification at the center of the screen, making it easier to confirm focus settings during manual focusing. Also, the camera's "peaking" function can provide sharp outlines on the monitor to help with manual focus.

Electronic Super SteadyShot system
Sony's electronic Super SteadyShot System helps remove the slight hand jitter and vibration that is often the bane of video production--especially during telephoto shots. It does this by trimming off edges of the frame on the fly to counteract movement.

Tele Macro picks up details on subjects from a distance

Tele Macro
It may seem like a contradiction in terms, but the Tele Macro function allows you to capture a macro image from a distance, which is useful for shooting small moving objects. Additionally, this function puts your subject in proper focus while leaving the background out of focus.

The Hollywood look
The HVR-A1U has features that can make your videos look more like they were shot on film. Cinematone Gamma allows operators to quickly setup and load a gamma curve with similar contrast characteristics to a film gamma curve. The Cineframe feature allows movement to be reproduced at 24 frames per second--the speed of film--as opposed to video's 30 frames per second standard.

No new tape stock
The HVR-A1U is compatible with conventional DV tape stock, but Sony recommends the use of DigitalMaster PHDVM-63DM tape, with its dual layer of magnetic material, which delivers higher RF output, lower noise, 95% fewer errors and 60% fewer dropouts compared to regular DV tape.

More camera features

What's in the box
HVR-A1U camera, AC-L15 AC adaptor, power code, NP-FM50 InfoLithium rechargeable battery pack, lens hood with lens cover, RMT-831 wireless Remote Commander unit, A/V connecting cable with S video, component video cable, USB cable, Memory Stick Duo (16 MB), Memory Stick Duo adaptor, ECM-NV1 monaural electret condenser microphone, XLR audio adaptor, shoulder strap, and operating instructions.

1.  Sony HDR-AX2000 Handycam camcorder
2. Info-Lithium Battery Pack
3. 32GB Extreme SDHC Memory Card
4. All-in-one USB 2.0 Card Reader
5. For HDV or DV Camcorders up to 20"

Sony's HDR-AX2000 makes for an impressive prosumer-level AVCHD camcorder. While not as decked out as the HVX-NX5U (its NXCAM pro counterpart), it's a clear step up from its HDV predecessor, the HDR-FX1000. The camera's ability to capture HD and SD video in AVCHD and MPEG-2 formats--and save it to solid state media--is only one of the traits distinguishing it from its tape-based forebearer. Full 1920 x 1080 HD video--which can be recorded at 60i, 30p and 24p--is another. The footage is saved to either Memory Stick PRO Duo or SD/SDHC cards, then easily downloaded to computer for editing via USB 2.0 interface.

Along with the three 1/3" CMOS Exmor sensors and 20x 'G' lens from the FX1000 comes a new professional element: audio, in the form of dual XLR ports. This means direct input of balanced, pro-level microphones without the need for an XLR-to-mini adapter. Component, HDMI, and S-Video outputs are also available, allowing for direct connection with analog and digital displays.

Another great pro feature is the three control rings around the lens--for iris, focus and zoom--which bring a more reliable, intuitive feel to image adjustment. When you add in 4 built-in neutral density filters, color bars, zebra display, and a live histogram, you've got the perfect camcorder for documentaries, indie features, music videos and other applications where image quality won't be sacrificed for mobility and budget.

Two XLR audio inputs allow you to connect pro mics or external audio.

3CCD camera system
Originally, camcorders used one CCD--the imaging device that turns light into electronic information--and let the image processing unit decider the color information from the data. Like today's broadcast video cameras, however, the DSR-PD170 uses a prism to divide incoming light into three beams and uses specially tuned 1/3-inch CCDs to create red, blue, and green composite images, which are assembled into a final image. The result is a more film-like vibrancy and more accurate color representation. Advanced HAD technology reduces fixed pattern noise and the vertical smear sometimes associated with CCD images.

Audio
The DSR-PD170 records two channels of PCM digital sound with the 48 kHz/16-bit or 32 kHz/12-bit mode. It features a ECM-NV1 electret condenser microphone, as well as two XLR audio input connectors for use with professional-grade microphones or external audio sources.

A zoom lever and a rec start/stop button are built into the handle.

12x optical zoom lens
The DSR-PD170 is equipped with a 12x zoom lens. Zoom comes in handy when you can't get close enough to your subject for proper framing, such as a sporting event or nature photography. The camera also has digital zoom feature selectable for 24x or 48x. Users should note, however, that digital zoom comes at the expense of picture quality, since it is achieved by discarding part of the information from the frame.

In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom lever and a rec start/stop button have been added to the carrying handle. Furthermore, the supplied wireless Remote Commander unit can be used for external control.

To protect your investment, the DSR-PD170 comes with a lens hood with a built-in lens cap, which will keep your glass from getting dirty or scratched. The hood can be opened or closed by using a lever on the side of the hood, so it will never get lost. Also, it comes with a wide conversion lens, which is ideal for shooting indoors or in small spaces.

The kit includes a wide converter lens and hood.

Optical Super SteadyShot system
Sony's optical Super SteadyShot System helps remove the slight hand jitter and vibration that is often the bane of video production. Sensors inside the camera detect horizontal and vertical movements and the camera can counteract those movements by adjusting the lens mechanism on the fly. This is superior to digital anti-shake systems that counteract image shake by trimming off edges of the frame.

Large precision black & white viewfinder and LCD monitor
View your subject through the built-in viewfinder, the swing-out LCD display, or both. The camera features a 0.44-inch type black & white LCD viewfinder and a 2.5-inch color LCD monitor. You'll save battery time by using just one, but you may want to use one for adjusting focus and the other for monitoring audio levels.

Index marking and title function
When using a Cassette Memory-equipped DVCAM/DV tape, an index can be marked while recording with the DSR-PD170 or recording from an external video source, which makes for quick access later on. Also, you can store titles in the cassette memory for overlay during playback.

More DSR-PD170 features

What's in the box
DSR-PD170 camera, AC-L15 AC adaptor, ECM-NV1 electret condenser microphone, NP-F570 InfoLithium rechargeable battery pack, VCL-HG0758 wide conversion lens, LSF-S58 lens hood for wide conversion lens and hood cap, lens hood with built-in lens cap, RMT-811 Remote Commander and two R6 batteries, carrying belt, i.LINK cable strap, and stereo AV cable.

Panasonic Professional AG-HMC40 AVCHD Camcorder with 10.6MP Still and 12x Optical Zoom
The AG-HMC40 handheld combines Full HD AVCHD video recording with high-resolution 10.6-megapixel still photo capture, giving you the benefits of two professional cameras in one affordable package. Compact and lightweight, the HMC40 is a versatile HD camcorder offering high-quality AVCHD recordings, high-resolution still photo capture, an easy-to-use SD card workflow, and professional audio capabilities for a wide range of applications and markets including schools, government agencies, event videographers, web designers and more.With a full resolution 3-megapixel, 1/4-inch 3MOS imager, the HMC40 produces stunning 1920 x 1080 video in AVCHD (MPEG-4 AVC/H.264), delivering images far superior to HDV. When used for digital still photography, the camera captures photos with 10.6-megapixel resolution directly onto the SD card as a JPEG image. The camera can also be connected directly to a PictBridge photo printer (no PC required). And unlike HDV tapes, video and photos can be accessed randomly and immediately from the SD cards and played back on a number of consumer devices.
Customer Review: better quality image from my sony dcr-sr85 hard drive
After comparing the panasonic AG HMC70 and this one,I decided to buy this one because the customer reviews said it was better. it has a better image than my sony dcr-sr85.It's less grainy compared to my sony but still shows noise on the shadows but I intent to use it with a video light so I'll post later the results.I messed with it with different settings,with the 1080/60,1080/30,1080/24 and my conclusion was I will have to use a video light on dark places;even in my office where the sunlight don't hit in the corners of the room it looks grainy. I did read here that many people bought an extra video mic.,but after watching the few minutes of footage of my dog,I noticed the volume was fine.So my guess is that it will be fine when filming an event with the loud music from the band playing. I didn't like it that it has a "demo indexed manual" you have to put the cd that came with it in the computer and print the PDF FILE so you can easily read it when need it.The included software was useless for me,after I had to register the camcorder and then get the serial number from the website...I realized it don't open the files,I don't know why.But I'm not planning to use it since I have Sony Vegas movie studio platinum 9.0 and I have already test it and it works fine.It doesn't include a mini USB plug like the one that comes with the canon DSLR cameras,so I used that one to connect the camcorder to the computer and then press "PC" on the screen on the camcorder and it opens a window that it says "Disk G" then I clicked on different subfolders and then the files are on a folder called "stream" and I just drag them to "my documents" to save them.And to edit them I drag them from my "documents" to the sony vegas software. It doesn't include a memory card so I had to buy one,I bought a transcend 32GB SDHC class 6,and many customer reviews had different opinions about different brands and my conclusion was to buy a 32gb SDHC transcend($100) and 2 kingston 16GB SDHC class 6($65/each),so in case they get goofy either one of them I'll know which one to buy next time and the 16's in case one of them looses the data I won't loose everything at once.I hope not, because I wouldn't like to loose important footage.The manual on the camcorder says that you can loose data if you take in/out many times the memory out of the camcorder so...is staying in,and then to get the data off of it I will just plug the cam to the computer. The battery last 3 and 1/2 hours so I won't buy an extra one,since I always plug the AC/DC to it.
Customer Review: Best small pro/prosumer camcorder to date
So, I was thinking of "going tapeless" for awhile now. I've had a Sony HVR-A1 basically since it came out, and it's served me well, but tape has been such a drag. I briefly owned a Hitachi Blu-Ray camcorder, but found the low quality on AVCHD at the time too limiting. Last year I bought a cheap Sanyo, an FH1, and while you could still see artifacts, it was pretty obvious that tapeless was really starting to exceed tape in quality. It had already won in popularity. Which brings me to the HMC40... what a crazy value. Ok, unlike the Sony, the XLR module is extra, and I consider it a must-have, but it's not horrible that it's unbundled. Some folks have decent off-camera 1/8" mics, which will work perfectly with this camera. I already have a nice XLR-based Rode shotgun mic, so I was really glad not to have yet another bundled mic that I probably won't use. The camcorder itself it just about ideal. My Sony was a bit on the small side, too many things had to be done via menus, the lens ring was functional but a bit small, etc. The HMC40 addresses this... it's large enough to have a decent array of real controls, the focus/zoom ring is silky smooth, the zoom rocker allows a great range of zoom control. Don't worry about the handle... it looks questionable, but it's aluminum, not plastic.. it won't break. One big potential win for tapeless hasn't always been realized in tapeless models -- different formats. The HMC40 wins big on this: 1080/60i, 1080/30p, a native 1080/24p (eg, not stored as 60i), 720/60p, etc. No SD mode, but I found I was always shooting in HD with my Sony, even if the target was DVD or some other SD output. And the bottom line: quality... the video quality is superb. And handy.. I can play the SDHC card directly on my PS3 (if you don't have a PS3, you missed that model, but many Blu-Ray players can also play back directly from SD cards) if I want to see the video immediately.... and this is the best I've seen from any camcorder I've owned. Naturally, SD cards and AVC may not be for everyone. Tape has the nice fact that's it's always backed up. But I've established backup and archive practices for digital still photo, so video's not all that different, particularly given the falling price of BD-R discs. But if you don't have a good backup strategy, you might want to stick to tape until you do. You'll also need a really fast PC for even basic editing on AVCHD files directly. My Q9550 (Core 2 quad, 2.83GHz, 8GB DDR2 DRAM) is good, though I'd love an i7 system. You can do easier editing via an intermediate CODEC... I use CineForm Neo ($100-ish) for this, and Panasonic has a free download that does some kind of conversion to high bitrate MPEG-2 or something (haven't used it yet myself). So there are solutions.

Canon XH-A1S 3CCD HDV High Definition Professional Camcorder with 20x HD Video Zoom Lens III
For the professionals who require a smaller, lighter weight HD camcorder but who won't give up capability and performance, Canon offers the XH A1S. Our latest in a family of high quality HDV camcorders, the XH A1S delivers advanced features and a wide range of image parameter controls to make your vision a reality. Starting with the superb Canon Genuine Canon 20x HD lens with Professional L Series Fluorite, the XH A1S adds 3CCDs, each of which is at 1440 x 1080 pixels (1080i). It also means you can be sure that your shooting in the field will be the best it can be with Canon's SuperRange Optical Image Stabilization. It corrects for a wide range of camera movement and vibration, and combined with Instant AF (Auto Focus) you'll get ultra-quick, accurate focus. The DIGIC DV II HD image processor finishes the picture with improved color reproduction and noise reduction - for a final result that delivers excellent image quality. To further ensure that your vision is realized, the XH A1S gives you features that let you make manual adjustments to fine-tune your video- the ultimate in total image control. For those situations in which you need to let your camcorder take care of exposure and image controls, the automatic settings on the XH A1S will expertly assist you. You'll find flexibility, versatility and capability in the extensive array of features and optional accessories of the XH A1S. It is bound to meet and exceed your highest expectations. The XH A1S also comes with Canon's innovative SuperRange Optical Image Stabilizer (OIS), which combines gyro- and image-sensors to give image stabilization through a wider range of camera motions. Some image stabilization systems correct one type of camera motion or vibration better than another. But Canon's SuperRange OIS corrects for a wide range of camcorder motion: the fast vibration you'd experience while recording from a moving car; the medium-speed motion of hand-held
Customer Review: Awesome!
As others have noted, this camera is not for the casual videographer or the faint of heart. But, if you're looking for a superb prosumer camcorder, this is it. Packed with features, a great value for the price, with awesome video quality. Highly recommended.
Customer Review: Fabulous. Wonderful. Great!
I love this camera. If you don't have a lot of experience with prosumer cameras (as in my case), the first look may be a bit intimidating (a friend said, "It looks like you're filming tv news"). Especially as I added a Rode shotgun mike (not sure it does anything other than make the sound louder, but...still checking it out). You can't rest the camera on your shoulder, but the image stabilizer helps and the grip and buttons are all well designed and easy to reach. I struggled through the manual, but fortunately bought Dan Curran's dvd about the xh-a1 which appears to be almost identical. This was a -huge- help. I can't recommend it enough if you are at all unsure of what you're looking at. He goes through the simplest things (putting the shoulder strap on) to some very technical settings that you can do. The dvd saved me -so much- learning time and also prevented some careless mistakes (like letting sunlight through the viewfinder). This camera feels like a terrific tool that can do whatever you need and the picture quality--even on Auto--is beautiful. Having the two XLR terminals will make a big difference, too. The versatility and design really meets such a variety of needs--way too much machine/expense for "home video" (it's not the kind of camera people forget is pointing at them), but great if you want to shoot training films, web videos, independent films. Technology has changed so much in the 20 years since I was in film school--and it's still hard for me to believe that such a great camera, capable of such a quality product, is available for under $4000. Very impressed. Highly recommended.

Designed specifically for use with high quality Digital Video Cameras. Click to enlarge.

Attaches to most camcorders and utilizes stereo mini jack audio output.

View frequency response and polar pattern. Click to enlarge.

Enjoy studio recording quality with pro features like integrated shockmounting, a two-step high-pass filter (flat or 80Hz), and a three-stap pad (0, -10, -20dB).

The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to its ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator.

Integrated shock-mounting and the switchable high-pass filter reduce unwanted low frequency rumble, and a windshield is also included.

The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output.

VideoMic Specs

• Power: 9V battery powered
• Acoustic Principle: Line gradient
• Directional Pattern: Super Cardioid
• Frequency range: 40Hz-20kHz, selectable HPF @ 80Hz/12dB/octave
• Output impedance: 200 Ohms
• Signal noise ratio: 74 dB SPL (A - weighted per IEC651)
• Equivalent noise: 20 dB SPL (A - weighted per IEC651)
• Maximum SPL: 134dB SPL (@ 1kHz, 1% THD into 1KOhm load)
• Sensitivity: -38 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB @ 1kHz
• Weight: 176gm
• Dimensions: 65mmH x 250mmW x 102mmD

One Year Warranty
All R˜DE products are warranted for one year from date of purchase (extendable through online registration).

What's in the Box
R�˜DE VideoMic and Shockmount, Windscreen
Customer Review: Rode Videomic Q: Can the shockmount be removed?
Watch Video Here: http://www.amazon.com/review/R16DF4KV42VJS6 Rode VideoMic Directional Shotgun Mic w/Mount
Customer Review: great mic, one word of warning
My one word of warning is for people who own a consumer camcorder with a hotshoe mount. This will not directly attach to the hotshoe mount without an adapter. So be warned. If you own a Canon Vixia HG20 like I do, this mic will not directly mount without a hotshoe-to-coldshoe adapter. Aside from that, the mic is great.

Sony HVR-V1U 3-CMOS 1080i Professional HDV Camcorder with 20x Optical Zoom
Included Accessories: AC adaptor; power cord; infoLITHIUM rechargeable battery pack; A/V, Component, USB cable; large eyecup; wireless Remote Commander; monaural condenser microphone; instruction manual & CD-ROM. The HVR-V1U is a professional camcorder for better and easier mobile filmmaking. Achieve breathtaking HD video and create unique visuals for video production that delivers an impact. In addition to typical 60i, the HVR-V1U offers 24p/30p progressive scan capture, enabling cinema and drama productions. It also adopts the world's first 2-3 pull-down HDV recording system for storage of 24p scanned images - keeping your existing gear in action. Playback your 24p/30p scan footage using Sony HDV equipment, or feed it to a compatible Non-Linear Editing (NLE) system without changing your HDV deck or monitors. Producing high-quality HDV is as simple as that. 1/4-inch, 3 ClearVid CMOS Sensor imaging system White balance - Auto, one-push auto (2 positions), indoor (3200 K), outdoor (5800 K + 15steps) Shutter Speeds - 1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000 sec Exposure - Auto, manual (Type1/Type2) Gain - 0, 3, 6, 9, 12, 15, 18 dB Minimum Illumination - 4 lx with F1.6 at 18 dB Records and plays out/down converts to 1080/60i, 480/60i (NTSC) Audio/Video output - A/V OUT jack, 10-pin connector; Composite video - 1 Vp-p, 75 ohm unbalanced, sync negative; Y - 1 Vp-p, 75 ohm unbalanced; C - 0.286 Vp-p, 75 ohm unbalanced Component video output - Y - 1 Vp-p (0.3 V, sync negative); 75 ohm unbalanced Pr/Pb (Cr/Cb) - 700 mVp-p (75% color bar) HDV/DV input/output - i.LINK(R) interface (IEEE 1394, 4-pin connector S100) XLR audio input - 3-pin female x 2, 327 mV, -60 dBu - 3 k-ohm, +40 dBu - 10.8 k-ohm, power supply - approx. 48 V Headphones - Stereo mini jack (3.5 mm dia.) USB
Customer Review: Not for low light!!!!!
Generally I do like this camcorder, however if you expect to shoot indoors (or out) with less than a 60 watt bulb within 1 foot of the subject....not 2 feet mind you.... all you will get is "grainy" video. Very poor at early morning or late evening shots outdoors. Sony claims a 4 lux rating.....more like 40. I'm looking for a light now, but not sure if the outdoor shots will ever work. I film wildlife in low light......will probably have to trade this camera in. However.....with a 60 watt (or greater) bulb close, the picture quality is exceptional. Same outdoors in full sunlight. The built-in filters work very well, and the programming features are easy to use(very much styled after 10 year old Sony cameras.....very few changes which allowed me to use this camera with little manual reference). I do love the fact that my 10 year old handycam batteries interchange with this camera....Kudos to Sony. Also Kudos for using 3 mediums for recording......tape(which only cost about $2 each at present, a few bucks more for HDV), Memory stick (4 gig max) or the optional hard drive. The remote from my old handycam has more features than the new one supplied....but crazy enough...the new programming supports the old remote.....another kudo. Photos are very respectable, and clarity from the Carl Zeiss lens is legendary and many extra lens' are available(I bought a wide angle and 2X for about $75 as an experiment/starter, but the quality was soooo much better than I expected that unless I shoot for TV....I'm not planning to upgrade anytime soon) About 300 photos per gig of memory card will store. The camera shoots stills and video simultaneously or seperate(still shots at a higher quality) The supplied mic is adequite, but I believe there are upgrades in my future soon. My only real issue is the light requirement. Good luck. captn 11/20/09 updated.. I've since noticed the 20X zoom on this camera seemed to be a little short of what I was after, so I purchased a 2X telephoto lens for this camera and didn't notice a difference in distance magnification. Thinking the lens was defective, I purchased a second telephoto lens this time 4.5X. Still no difference except picture quality was decreased. Both lenses claimed to be for camcorders. I checked the distance at 75 yards with a 26X rifle scope against this camera's 30X boost and found the camera was considerably short of magnification to the target....as in about half the magnification as the scope. Basically, I guess I'm saying that long distance filming of over 200 yards is very compromised. Actually, if you want to zoom in on a critter's eyes at over 50 yards, you may be disapointed. I also tried a 1X wide angle lens which worked very well....just no telephoto improvement. If there is information out there from someone who has increased the power of magnification on this camera, I'd like the info. Thanks captn
Customer Review: camera model is fake.
the model of this camera is not a true as described. It is not worthy the monet it is costing. The model HVR_V1U is 1080p but this is HVR_V1U 1080i. Sony company do have such camera. I can't recommend anyone to buy this camera. It is better to use ordinary camcorder.

Compact and Durable Camcorder Case

The Case Logic TSC-4 Sport Camcorder Case is durable and is ideal for your smallhand-held video camera or digital camera.� It features multiple pockets tokeep all of your accessories organized including the charger, battery ortapes.� The carrying handle allows you to carry the case, or it also fitsnicely in a backpack.� For those occasions that you aren't using yourequipment, the case also serves as a functional handbag ideal for travel.�Keep your equipment protected while on the go!

• Holds a Compact Camcorder, Digital or 35mm Camera and Accessories
• Weather-resistant, thickly-padded case protects delicate equipment
• Multiple accessory pockets for maximum storage
• Manufacturer's Limited Warranty

• Color: Dark Green, Black and Gray
• Dimensions: 6" x 6" x 3"
• Material:Nylon
• Weight:8 oz.

Note: Camcorder Not Includes